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Cartons gone wild!

Folding cartons rebel against traditional retail merchandising, scrap sheetfed for roll-fed, and combine processes in-line.

By Associate Editor Jorina Fontelera -- Converting Magazine, 12/1/2007

Folding cartons are causing a stir in the world of packaging. From design to production changes, folding cartons are standing tall and hanging tough in store shelves. Converting takes a look at some new carton designs being used by Old Navy for men's and boy's underwear, socks and accessories, as well as carton finishing in the UK and the business benefits of in-line printing. But first, we look back on Gallus' Folding Carton Technology Seminar held last month in Charlotte, NC.

Thinking inline the box

During the Cadmus open house, the Gallus KM 510 S in-line folding-carton press showed it can print single jobs like the parakeet insert card (at right), but also create highly complicated products like the ace golf sleeve.

Gallus (www.gallus-packaging.com) joined forces with BHS Printing Machinery (www.bhsworld.com) to host its first Folding Carton Technology Seminar in North America. Themed “Think Inline the Box,” the one-day event featured a live demonstration of the Gallus KM 510 S in-line folding-carton press at packaging converter Cadmus (www.cadmuswhitehall.com), as well as informative presentations about the paperboard-carton industry and new technology developments.

Gallus brought in speakers from its partners to share their expertise but started off with Gallus president Klaus Bachstein, who gave a brief introduction about Gallus and BHS. He explained how the two companies have combined their printing/diecutting expertise, took narrow-web technology and created an in-line press for total folding-carton production.

“Creating folding cartons in-line saves time and is cost-effective,” Bachstein says. “The more processes you can do in-line, the better.”

The KM 510 S press can be extended to perform up to 16 operations ranging from flexo printing—including reverse-side printing—screen printing, hot-foil stamping and cold foiling to gravure printing, laminating and varnishing, creasing, embossing and diecutting.

Up close and personal

Jerry Lux, Cadmus president, opened the doors to the company's converting facility so that other converters could see exactly what the KM 510 S is capable of. “Everyday that machine changes form,” Lux says. “(The operators) change what it looks like and what it outputs. The key is modularity and flexibility. It really is its ability to change that made us go with this press.”

Being able to use all of the press' capabilities has helped Cadmus find “new space and get out of the area we're all in,” Lux adds. The press enables Cadmus to have highly efficient short runs and offer value-added options such as brand security. Because they can print and die-cut in one process, it also saves time and staff needs.

“It is a complement to our folding-carton business, not a replacement,” Lux explains. “Our sales have grown in North America, and this has been core to the growth in our customer base. Simply put, this complements our offset business.

Being the difference

To help other converters find their own niche, the seminar included presentations on marketing and industry trends to illustrate various paths they could take in differentiating themselves.

Mark Vanover, vice president of marketing for Esko Artwork North America, provided a look at prepress solutions, while XSYS product manager Tom Hammer presented new inks for brand identification and protection.

Continuing with the brand-protection theme, Bud Gray from the Brand Protection Alliance gave a talk on new brand-protection technologies and how converters can use them to grow their businesses and cash flow.

“Once you start doing brand protection for one of your good customers, they're not going to want to do it with anyone else,” Gray concluded. “It's a chance to once again be the solution-provider and not be locked in a commodity battle.”


MORE INFO:
CONVERTER:
CADMUS, THE WHITEHALL GROUP, 704/583-6600, FAX: 704/583-6665, www.cadmuswhitehall.com
SUPPLIER:
GALLUS/BHS,215/677-9600, FAX: 215/677-9670, www.gallus.org, www.bhsworld.com

 

“OLD LOOK” is new again for Old Navy

Sometimes rule-breaking is a fast route to growth. That time is now for Jason H. Rosenberg, senior packaging designer at San Francisco-based Old Navy, part of Gap, Inc. In what seems an increasingly successful program that goes against traditional merchandising practices, Rosenberg's new packaging design for men's and boy's underwear, shoes, socks and accessories appeals to consumers who are happily selecting goods they see much less of, and for which they pay a bit more.

In nine discrete structures made with a single paperboard material, the new packaging for about 100 stockkeeping units first saw retail daylight this past summer. The goal: Convey a vintage attitude. So while the clothes are new, the patina of desirable antiquity is splashed in bright brown kraft paper, reversed out of a faded, red background and supported by symbols, marks, slight imperfections and other elements of Rosenberg's imagining.

The nine package styles, converted by four vendors, are produced to a common specification. A 16-pt C1S SBS paperboard is the starting point, but atypically it is printed on the uncoated side. “The reason,” Rosenberg says, “is that to create a realistic look for various elements, we used some new, digital production methods by employing transparency in the artwork. If you look closely, the blacks are not solid black, and the stamps have loads of tonal and gradient information, all based on where they are placed on the tones of the faux kraft.”

Examples are the carton for two men's crewneck undershirts and for three men's briefs, both produced by Beyer Graphics (631/543-3900), using a six-unit, sheetfed-offset press from Heidelberg USA (www.us.heidelberg.com) in five colors with an overall aqueous coating. The undershirts carton with a 2-mil polyethylene terephthalate (PET) window is a horizontal format where the grid pattern at the base contains line art that depicts the product.

Accomplishing the entire project in a tight timeframe makes it all even more remarkable. “I had to conceive those concepts, get sign-off, create architecture, source the metal hanger, sample folding-carton designs and substrates, test them and get these in-factory so the product could be in the packaging and then be in our stores across the US and Canada in a little over five months,” he recalls.

One factor simplifying the process: use of universal materials and print methods. The same specs apply to the packages already cited, as well as the hanger-sleeve for belts, produced by Avery Dennison (www.averydennison.com) plus cartons holding men's thermalwear and boxers, as well as bands and header cards for socks and men's and boy's boxers from Hang Sang (415/505-6009).

Though on shelf for only a few months, the new packaging “is playing a key role in helping grow business, especially basic products such as socks and underwear,” says Brian Richardson, an Old Navy senior men's merchandiser. “Since the customer has not been sensitive to the higher ticketed price, we've been more profitable.” 
—Contributing editor Bernard Abrams

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